As long as the mat color is borrowed from one of the secondary or tertiary colors in the artwork a color mat can work well.
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One can touch it and be touched by it.
If your item has a strong color theme you might try to match one or more of the colors in the item.
The rgb triplet is a three element row vector whose elements specify the intensities of the red green and blue components of the color.
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Consider a pale forest green for a barn in front of a out of focus forest or light blue to complement the distant sky of a cityscape.
Choosing a mat color based on dominant colors.
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The intensities must be in the range 0 1.
If you choose this method the eye of the viewer will be drawn to the art.
The matboard specifier images below are good examples of items with strong colors.
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In general using the dominant colors of the art in the mat draws the eye to the art rather than to the framing.
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A very common way to choose a mat color for your portrait or piece of art is to choose one that will help bring out the dominant color of the piece.
You can match one of the colors in your item to the bottom mat.
Using a white for the top mat is always a safe choice.
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Often the artist has some focal point that contrasts with the background colors.
If the piece has a focal point and there are background colors you can.
If you mat with those background colors the artist s intended focal point will still draw the eye to it.
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To most people math appears abstract mysterious complicated inaccessible.
Using the dominant colors in the art.
The short names and long names are character vectors that specify one of eight predefined colors.
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